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Available to the general public for the first time!

FOR IMMEDIATE RELEASE

✨ Introducing the Dismantling Racism in Public Art Toolkit — A New Resource for Transformative Change in Public Art Practice

We are proud to announce the first official release of the Dismantling Racism in Public Art toolkit — a powerful resource designed to support artists, cultural institutions, public art professionals, community organizers, and allies in confronting systemic inequities, biased narratives, and racial injustice in public art practices.

🎯 What It Is
The Dismantling Racism in Public Art toolkit offers practical guidance, critical frameworks, and actionable strategies to help individuals and organizations examine how racism and white supremacy culture show up in public art systems — from commissioning processes and community engagement to interpretation and legacy. It encourages reflection, accountability, and equitable change in how public art is conceived, produced, presented, and preserved.

📘 Access the Toolkit
The toolkit is available now as a free downloadable PDF:
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Whether you are an emerging artist, nonprofit leader, city planner, or educator — this toolkit can serve as a starting point for meaningful dialogue and institutional transformation.

📌 Why It Matters
Public art shapes how we see our histories, values, and identities in shared spaces. Yet too often, the systems that determine what art gets made, where it lives, and whose stories are centered reproduce inequities and exclude voices of historically marginalized communities. This toolkit is a step toward disrupting those patterns and opening space for justice-centered creative work.

🗣 Get Involved

  • Reach out if you have a Case Study or Reparations story you would like to include in the toolkit

  • Share your reflections and how you’re using the toolkit

  • Tag us and use #DismantlingRacismInPublicArt

  • Engage in community conversations and collective action

📲 Suggested Hashtags
#DismantlingRacismInPublicArt #EquityInArt #PublicArtForAll #ArtAndJustice #CreativeEquity #AntiRacismToolkit #CulturalEquity

Dismantling Racism in Public Art

Since the Charleston, South Carolina, church massacre of June 2015, the United States has seen a growing movement to remove memorials and other imagery that glorify and uphold the tenets of white supremacy. Predominately relegated to Southeastern states, removal efforts have often been rife with contention and occasional violence instigated by those who cling to what they believe are physical representations of the cultural heritage of the United States.

As this movement has accelerated and flowed towards the western states, such as California, the efforts for removal has also shifted from Confederate symbols that reflect Jim Crow laws to those that continue to silence and degrade Native Americans and perpetuate a false narrative that Native Americans are subhuman or no exist. Erected during the same era, these ‘pioneer’ monuments glorified the state sanctioned genocide of California Indians and other Native Nations while establishing dominance over an ‘untamed west.’ The intent of the benefactors of these monuments, whether located in the South or the West were the same: to legitimize the white ruling class while using intimidation to educate non-whites as to their ‘appropriate’ place in society.

During the process for removal of pioneer monuments, comparisons are often made to confederate statuary. Many express the belief that the confederate memorials should be removed due to the history of slavery, while they viewed pioneer monuments as a token of appreciation to the ‘uncivilized’ and ‘extinct’ Native American population. There is a prevalent lack of knowledge and education around the true history of slavery and genocide against Native Americans, particularly on the West Coast, which has worked against indigenous communities as they have argued for removal.

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Monuments to the Past and Future:

Reclaiming land and space with Sogorea Te’ Land Trust

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by Jewelle Gomez and Inés Ixierda 

As people grow more open to discussion of the exploitation that is the history of this country, it’s become clear that the contemporary landscape is dotted with reminders of the colonialism and racism that have suppressed the cultural expression of Indigenous people.


Removal of statues and other monuments to oppression are a necessary step to creating a healthy, balanced nation. We’ve seen the shadow that ubiquitous Confederate monuments have thrown over the lives of African Americans.  They also provide rallying points for believers in ‘the Lost Cause’ of the institution of slavery.  Political uprisings of recent years have shown a variety of multi-racial approaches in responding to monuments to racism using strategies ranging from grassroots organizing, ballot measures, to direct actions to remove statues, names of institutions and reclaiming public space. Removing anti-humanist monuments is necessary for real democracy. 

Case Study: Early Days Statue, San Francisco, California

After the September 2018 removal of the Early Days Statue in San Francisco's Civic Center, the Indigenous community occupied the empty plinth over a two day period. This video, entitled "Reframe, Refocus, Reclaim"  is a tribute to the often silenced history of Indigenous Peoples and their efforts to reclaim the narrative.

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© Barbara Mumby Huerta
Artist • Cultural Strategist • Consultant
Based in California | Working Nationally

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